Explorez comment la nature, utilisée comme décor dans les films d’animation, influence notre perception de l’environnement.

DECOR

Welcome to the scenery section! Here, we’re talking about the fact that, in some animated films, nature is relegated to a mere decor at the service of humans. Whether it’s used to intensify the characters’ emotions or presented as a frozen frame, nature often exists only to support the human story. This section explores how these representations limit nature to a passive role, detached from any vitality of its own. By exploring the sets, we invite you to reflect on how nature is staged, and to discover the importance of these aesthetic choices on our vision of the natural world.

0 5
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0: Nature is always a static, immobile background
5: Nature is always active, the elements move and live
0 5
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0: Nature exists only for humans.
5: Nature coexists with humans.
0 5
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0: Nature is only used to reflect human emotions
5: Nature is not used to reflect human emotions
How does LuNa work?

0 = nature dépeinte comme passive, comme décor inerte.
5 = nature dépeinte comme active, comme vivant avec lequel on interagit.

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Explore the concept of passive nature, a simple, silent, motionless setting. How do these images influence our perception of the environment? Question the impact of nature reduced to an inert background in our animated narratives.

0 = vision anthropocentrée, l’humain placé au centre
5 = vision écocentrique, le vivant et l’interdépendance des espèces placé au dessus

Anthropocentrism :

Explore anthropocentrism, where nature is staged to serve human stories. What place is there for nature, constantly shaped by and for man? Let’s reflect on the impact of this human-centric vision and our relationship with the natural world.

0 = nature sert de miroir à nos émotions : véhicule clichés je pleure il pleut.
5 = nature ne sert pas (que) de miroir à nos émotions : ex. scène de pluie sans autre intérêt que de montrer qu’il pleut.

Mirrored nature

Discover the mirror nature, where landscapes reflect the emotions of the characters. Are these representations merely a mirror of our state of mind? Dive into this criterion and see how nature subtly amplifies human narratives.